UK Protection of Interest of the Rights Holders

UK security measures of Interest of the Rights HoldersINTRODUCTION In the 17th century, the frugal investments of publishers and printing press whither threatened by unlicensed copyist who were involved in un designerised printings and reproduction of right of first humanityationed material.1 At that time, the common- truth remedies were very in effective making the publishers to labour in vain. The introduction of the one hundred seventy9 Statute of Anne put a landmark in the security measure of procure in literary take to the woodss in the form of statutory monopolies and regulations, giving the authors liquid ecstasy rights and used to make the distribution of books by publishers.2 The act provided a copyright which lasted for 14 years and if the author were sedate alive during the period of its expiry, the right leave be returned to him for a nonher 14 years, giving a total of a 28-year period.3 The equity on copyright started to develop and allowd things uniform s culptures, engravings and nearly others.The faithfulnessfulness of intellectual property (IP) has been closely conjugate with economic development and innovation. The case of Donaldson v Beckett established that copyright is considered to have a dual purpose.4 The first purpose is to foster the interest of the right holders so they be encouraged to publish their imprints and make gains from it. The second purpose is to encourage creativity and innovation and the share of knowledge so that the public can have access to copyrighted work for learning purposes. As copyright developed a key issue arose which is need for legislators to strike a equalizer amid the testimonial of the interest of the right holders and the promotion of innovation and creativity of the public at large. Legislature has worked cloggy to achieve a good dimension as the size of the statute has increased over the years. The secure, Designs and Patents carry 1988 (CDPA), is the current act which attem pts to create the counterweight. These groups of conflicting interest argue that its interest should be prioritised by the statutory framework but legislature should not prioritise any interest to achieve a balance trunk.5This paper pull up stakes discuss the current situation on how the UK achieves an effective balance between the tribute of interest of the rights holders and the encouraging of innovation and creativity, by using the scope of copyright to find how it is necessary for economic growth. It allow for look at issue concerning the age of copyright in UK. Finally, this paper takes a overcritical look at defence of pretty transactions in the UK and compares it to medium use in US. This canvass concludes that the law on copyright does not create an effective balance between the interest or the right holders and the cost increase of innovation and creativity.SCOPE OF COPYRIGHT Lessig defines the scope of copyright as the range of rights grant by the law.6 The la w of copyright has expanded and tried to adapt because of development in technology. In forward-looking times, the law on copyright does not only cover publishing, printing of a creative work it extends to derivative kit and caboodle and all the steps previously taken by taken by authors to protect their works have been abolished by the rule that imposing authors to accept the protection pop the questioned by the law.7 copyright work covers a wide range of materials and output and does not require any form of registration like patents or designs. To illustrate the extent to which copyright goes, in the case of Elanco v Mandops, the court established that the evaluate with instructions on a barrel of herbicide is a literary work that is subject to copyright.8 The law tries to create a balance by making provisions for adequate protection and adequate access. The musical theme of this balance originated from the 1709 Statute of Anne where it was established that the purpose of th e act was for the Encouragement of Learning, by Vesting the Copies of Printed Books in the Authors or Purchasers of such Copies.9 It was to a fault established in the 1774 case of Donaldson v Beckett, where it saw the nature of copyright as searching from traditional forms of property mainly because of its underlying social function.10 Copyright work needs to be complaisant and this can be explained in the following ways as the development of human society is antecedent on derivation of the works of others. First, the public needs to have access to copyright work so that they can access the ideas of the works. The use of the idea is clean-handed from copyright infringement if the user will not copy the expression of the idea for the author. Second, the public involves two groups of people, which are the users who use the work as a source of learning and the potential authors who borrow ideas from them. If the works of the author are not in stock(predicate), he will receive mo netary rewards without contributing to the society and hindering economic development.11The protection of copyrights of the right holder is base on the basic idea of why should someone reap benefits from the work of another. Copyright has been closely linked with the economic principle of monopoly, it is often criticized to be harmful to the public interest in a free and open competition. They claim that it will give monopolist the power to increase the prices and they will make it herculean for these rights to be accessed. Adherents of this principle of monopoly have suggested that the monopoly exists in a temporary form to creators and innovators, and it incentivises for creativity through the offer of time limited on innovative investment and economic rewards.12 In a system with poor IP rules where consumers can use goods without paying for them, no one will want to invest in innovation as it will put them at a competitive disadvantage and the output of utilitarian works will start to diminish having a negative impact on the knowledge base of the society.THE DURATION OF COPYRIGHTIn considering the extent to which the UKs law achieves a balance in copyright law, the time of the law is an important factor to be considered. It is important because it determines when the work will be open to the public domain, if the term of copyright is too short it will have a negative effect on the right holders as they will not be motivated to create works when they cannot reap the benefits.13 The duration of copyright has been controversial and thither have been debates on the topic of how long copyright should last.14 In the CDPA 1988, the distance of copyright is the life time of the author with an additional 70 years for literary works. The length was initially lower by 20 years which was argued to be more than adequate.The question of why the copyright law has given such extended timeframe was answered in 1991 by The World Intellectual airplane propeller Organisa tion (WIPO) and it was to a fault suggested in connection with a possible Protocol to the Berne Convention. The justification for length of copyright here was stated in the Preamble to the draft Directive sayingThe Commission stresses the need to harmonise copyright and neighbouring rights at a high level of protection since these rights are fundamental to intellectual creation and their protection ensures the maintenance and development of creativity in the interest of authors, cultural industries, consumers and society as a whole.15The protection provided for authors is of positive value but by providing them with endless monopoly rights is detrimental to the security of the good of the public.16 It can be argued that there was once a balance in 1790, where the Congress passed the first copyright law that was available for 14 years and renewable for another 14 years for works they wanted. The enactment of the new law has caused the public domain to be eroded rather than enriched.1 7 The increase in the duration has caused a decrement in the creativity and causes problems that are harmful to its own purpose and welfare. From the economic perspective, extended periods of copyright will bring about an increase costs to the consumers by the additional payment and the cost of collection.18 It can also be argued that this extended periods for copyright are not necessary to protect the commercial exploitation of works as they are rapidly exploited, they may be sold to gain image of gain from part of the royalties.19The length of copyright terms has deprived the public of creative inspiration and puts the public at a loss, which is the opposite of a motivation for further creation. With the situation in the UK it has become clear that the long-lasting copyright is cannot work in favour of the public, which is its main objective.FAIR DEALINGSSince the introduction of Copyrights Act in 1911, there have been different statutory defences that have been existing in rel ation to copyright infringement, and pleasure ground traffic is the most important of them all. dependable dealing in the UK is similar to the Fair use in USA. Fair dealings have been recognised by case law prior to the 1911 Act, which tries to strike a balance between the interest of the right holder and interest of the user for encouragement of innovation and creativity. This was supported in the Governments Green Paper which stated thatThese exceptions are of obvious importance in that they seek to establish a proper balance between the legitimate interests of copyright owners and the legitimate desires of users of copyright material. 20It covers three main line of businesss which include private ingest and research, review and reflection and news reporting. Fair dealings for research and private study can be found in s29 of the Act. If the relevant conditions are met there will be no infringement of copyright for the purpose of research. The rule decent dealing also appl ies to dramatic, literary, musical or elegant works for research purposes but there mustiness be no commercial benefit from it. An congressman of this is the case of Green Amps, where the High Court decided that there was a breach of the non- commercial bar when copying took place in a non-commercial research which the end-product was a commercial product.21 Fair dealings for criticism gives permission to the use of the work of others for criticising and reviewing work as long sufficient acknowledgement is given. The work must be published through an authorised act for this defence to apply. Fair dealings for the purpose of reporting current events applies to all works apart from photographsThe term fairness does not have any defined meaning and it must be defined by the court. To determine fairness the court has a invest of tests which it uses. There are 3 main factors for this test but they are not fixed.22 The first is if the fair dealing is commercially competing with the authors exploitation of his work. The second factor is whether the work has been published to the public in some form, but still leaves the possibility of fair dealings with unpublished works. The third factor is the amount and the level of importance of the work that has been taken. It indicates that work should not be taken beyond what is reasonable or appropriate.23 other(a) relevant factors have been set out in the case of Fraser-Woodward by Mann J, which list the factors above and others of relevancy like the intended use of the work, whether the work has unreasonably prejudiced the interest of the author.24The UK law on fair dealings is often criticised as being inflexible, checkive and impedes innovation and undermining its primary purpose of facilitating creation and the stand in of new works. On several occasions, it has been directly compared with the Fair use system adopted in US. The fair use has been described to be a flexible system, although it may have its disadva ntages one of which is the uncertainty in the law,25 it can still be argued to be a better system than that in the UK. The test for fair use in the US includes, first the purpose and character of use, the nature of the copyright work, the amount and substantialness of the portion used and the last relevant factor is the effect of the use upon the potential market for or value of the copyrighted work.26 The system in the US is more flexible and it is more of a popular defence than the fair dealings as it gives the court the opportunity give room for new exceptions or the modification of existing ones as we continue to experience development in technology.27 In a system with an open-ended defence there is less need to worry about the changes that might occur in the future as the flexibility of the law is enough to adapt to changes.The current state of fair dealing can also be seen to restrict the development of scholarly works. The British Library commissioned a paper that criticise d UKs copyright law saying it has to be redefined as it brings about difficulty in licencing works, as permission is needed from the right holder.28 If the source cannot be found, the work cannot be used and this reduces the quality of research. The law regarding fair dealing are not in line with the interest of the users and the creatives. They are illegitimate and they restrict innovation.CONCLUSIONIn conclusion, the area of law which copyright should cover is forever increasing, so the legislative corpse of the law must stay in tune with these changes and it is left with the task to strike a balance between the interest rights holder and the encouragement of innovation and creativity. The scope of copyright law is very vast and almost any right material could fall under this therefore making it difficult to control and strike a balance in the law. The imbalance in the law will hinder the encouragement of creativity and will have an effect on economic development.The duration of the copyright has been an issue and will always be. Its excessive length is an interruption to the process of creativity and innovation. Although it has a long list of problems it still has not found a reason to start rethinking alternatives. The fair dealing is another important area of copyright law and in the UK, it is very rigid compared to that of the US and it does not cover works that may come about in the future. There might need to be a reform in this area of the law. The law in UK has been making a conscious effort to strike a balance between the interest of the shareholders and the encouragement of creation and innovation of the public but it is argued here to be inadequate.BIBLIOGRAPHYCalum Docherty, standing(a) on the Shoulders of Giants Reforming Fair Dealing in English Copyright Law, Law School GDLChristopher John Adduono, Rebalancing Copyright Law 2015, Faculty of Business and Law, 1-355Duke, Copyright Should Fair Dealing be replaced by Fair workout? 2011Eva Garmp i, Alternatives to Copyright 2006 KLS LLMGillian Davies, Copyright and the Public Interest 1997Hua, J. J. (2013). Toward a more balanced approach rethinking and readjusting copyright systems in the digital web era. Chapter 2Laddie, Justice, Copyright over-strength, over-regulated, over-rated? E.I.P.R. 1996, 18(5), 253-260Professor Ian Hargreaves, digital Opportunity, A Review of Intellectual Property and Growth 2011CASESDonaldson v Beckett 1774 4 Burr. 2408Elanco Products ltd v Mandops (Agrochemical Specialist) Ltd 1979 FSR 46Fraser-Woodward Ltd v BBC 2005 EWHC 472 (Ch), 2005 28(6) IPD 11Green Amps 2007 EWHC 2755 (Ch) 21-23PCR Ltd v Dow Jones Telerate Ltd 1998 EMLR 407, 1998 FSR 1701 Laddie, Justice, Copyright over-strength, over-regulated, over-rated? E.I.P.R. 1996, 18(5)2 ibid.3 Hua, J. J. (2013). Toward a more balanced approach rethinking and readjusting copyright systems in the digital network era. Chapter 24 Donaldson v. Beckett 1774 4 Burr. 24085 Christopher John Adduono,2015 , Rebalancing Copyright Law, University of Southampton Faculty of Business and Law, pp. 16 Eva Garmpi, Alternatives to Copyright 2006 KLS LLM7 Ibid.8 Elanco Products ltd v Mandops (Agrochemical Specialist) Ltd 1979 FSR 469 Hua, J. J. (2013). Toward a more balanced approach rethinking and readjusting copyright systems in the digital network era. Chapter 210 Donaldson v Beckett 1774 4 Burr. 240811 Hua, J. J. (2013).12 Professor Ian Hargreaves, Digital Opportunity, A Review of Intellectual Property and Growth 201113 Ibid.14 Davies G, Copyright and the Public Interest (VCH, 1994), Page 19415 ibid, page 19816 Eva Garmpi, (2006) Alternatives to Copyright, KLS LLM Dissertation17 ibid, page 1218 Professor Ian Hargreaves 2011, Digital Opportunity A Review of Intellectual Property and Growth19 Eva Garmpi, (2006) Alternatives to Copyright, KLS LLM p.1120 Gillian Davies, Copyright and the Public Interest 199721 2007 EWHC 2755 (Ch) 21-2322 Duke, Copyright Should Fair Dealing be replaced by Fair Use? 201123 PCR Ltd v Dow Jones Telerate Ltd 1998 EMLR 407, 1998 FSR 17024 Fraser-Woodward Ltd v BBC 2005 EWHC 472 (Ch), 2005 28(6) IPD 1125 Duke, Copyright Should Fair Dealing be replaced by Fair Use?26 Laddie, Justice, Copyright over-strength, over-regulated, over-rated?27 Ibid.28 Calum Docherty, stand up on the Shoulders of Giants Reforming Fair Dealing in English Copyright Law, Law School GDL