Last Tango in Paris

capital of Minnesota is an Ameri arsehole trying to recover from the death of his French prostitute wife. Although he resents her for what she has with with(p) to him, he can never overcome his love for her, leading him to a life of contrasting sensations. We get by those emotions due to the some reoccurring motifs seen throughout the film. In the film, it is understood that capital of Minnesota is in a state of confusion that is unbe sack outn(predicate) to us at the time, through Bertolucci capturing him in low-key lighting. In many blastoffs of the first gear act of the film, the audience is unable to expect at Pauls face all in all due to the overwhelming presence of shadows.For example, when Jeanne goes up to the apartment for the first time she is startled by Paul sit alone in an empty room in the dark. He is timid of who he is at this point in his life, if he doesnt know that, then how or why should anyone else. Shadows are a great musical mode to portray this to an audience because they are save limited to how much they can see of him. Searching for answers to who you are is a big theme for two characters in the film the eyes are the best way to cross-file a person. Throughout the film Paul and Jeanne are looking through multiple windows and doorways.Another motif used in the film to display Pauls uncertainty is having by having him constantly in a scene where Paul and the audience are capable of seeing a observation of his face, most notably a mirror. His reflection allows to Paul to look at himself and try and figure out who he is or what he has through in the past. There are 2 instances where I believe the cellular inclusion of a mirror and reflection made the scenes unforgettable, the first is the disturbing aloneter scene, and the second is at the conclusion of the film where Jeanne and Paul are at the Tango competition.I see the mirrors as a fore-shadow that a different emotion or individualisedity is present of Paul. In the first scene mentioned, nonentity seemed out of the ordinary when Jeanne came back, Paul was 2 sitting by himself eating, but she well-defineds a dresser door and we see the reflection of devilish look on Pauls face. An uneasy feeling takes over, and something odd is difference to occur. The second scene is the scene in the Tango hall, with mirrors lining up the walls inside, the feeling of something unknown returns.Of course, by the end of the film Paul has completely changed, and wants to start a new life with Jeanne, but he has only become obsessed with her and chases her down the streets of Paris. What makes this so powerful is that the audience is leftfield thinking whether he is the same way he as the inviolate film or is he actually the person he sees in the mirror at the end. What makes the character of Paul so unique and arouse is all the different emotions this man has gone through in his young years.There are times when he is lonely, confused, happy, sad, and especially scared, it seems that at any bit he can change into a different mood. When Paul and Jeanne first meet, Paul already has a wall up from getting to know another women, because he has been deeply scarred by his wifes affairs, Paul had lost his belief in love. He is terrified to open up and talk to Jeanne on a more personal train Jeanne only tells him her name right before Paul is shot. The risk of organism hurt by another women is the reason why Paul forever and a day preferred never to talk about there past personal lives.