About My Work

ABOUT MY WORK From my childhood, I used to be a unemotional boy; I had a fear to confabulation with the people. However, I used to love higher places, from where I fag end gibe everything to the horizon. Also, care to look people from secret places like derriere windows, skylights, windows, key holes, while children of my same age were p recording. It was a swell leisure for me spending lot of succession to watch people. As few aspects of human nature neer changes, this experience of my vitality remain unchanged. After coming in this artistic creation field, in the beginning I influenced from the above experience of my life, and then I needed to find a way to explore this emotion. When I was doing art practice, having lack of focusing from my art teachers, I made self-studies. in that respect I inspired by the works of great American optical poet and realist Edwa rd hopper, also his way of perception towards the modern life. I comprise certain similarity with me. Since two years attempt In Baroda for surviving my art and myself, I studied people, their emotion, psychology, and their shape in this society. Here some nerve-touched movies helped me to grasp the visual lay step up (Like Christian Wagners Wallers last trip, romish Polanskis Le gros et le maigre Sam Mendess American beauty, Revolutionary road, Michael Powells peeping tom bomb). The progress in my concept inspired by these movies associate with my early experiences. My concern is to convey the intense isolation infrangible in a crowed cityscape, the reality intensely perceived, showing the arrive at of people, places & things we see fooling. I tried to imbue them in a simple manner. Most of my works which I present here, I painted my neighbors busy in the ir activities, whom I peep occasional from ! my window, bathroom sky let. In the diptych canvas titled AT THE BALCONY I, I painted an old woman sitting...If you restraint to get a full essay, order it on our website: OrderCustomPaper.com

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